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A 1978 reggae song named "Black Star Liner" by The Regulars (later renamed to Reggae Regular) appears to still be a popular song on YouTube. [21] Also Black Slate on their album Amigo recorded a song called "Freedom Time (Black Star Liner)", [22] with references to Marcus Garvey and "seven miles of Black Star Liner".
Dickerson Naylor Hoover. Hoover was born on New Year's Day 1895 in Washington, D.C., to German American Anna Marie (née Scheitlin; 1860–1938) and Dickerson Naylor Hoover (1856–1921), chief of the printing division of the United States Coast and Geodetic Survey, formerly a plate maker for the same organization. [8]
The August 1972 issue of National Lampoon featured an article by Sean Kelly entitled "The Love Song of J. Edgar Hoover" which began "We'd better go quietly, you and I." [12] Humorist Kinky Friedman wrote a novel entitled The Love Song of J. Edgar Hoover. [13]
Hoover’s reign at the FBI compromised American civil liberties and turned the FBI into America's secret police. An American Gangster at 100: J. Edgar Hoover's Authoritarian Legacy Skip to main ...
"Wake Up" is a song by American rock band Rage Against the Machine. It is the seventh track from their self-titled debut album.While never released as a single, it remains a staple of their live shows and is usually played as the last song before the encore; the spoken word portion of the song, using a real memo from J. Edgar Hoover, is often replaced with a speech addressing contemporary ...
The King Alfred Plan first appeared in Williams' 1967 novel, The Man Who Cried I Am, an account of the life and death of Richard Wright.In the afterword to later editions, Williams compares the King Alfred Plan to intelligence programs devised by J. Edgar Hoover in the 1960s to monitor the movements of black militants.
"Today" is a folk rock ballad written by Marty Balin and Paul Kantner from the band Jefferson Airplane. It first appeared on their album Surrealistic Pillow with a live version later appearing on the expanded rerelease of Bless Its Pointed Little Head. Marty Balin said, "I wrote it to try to meet Tony Bennett. He was recording in the next studio.
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