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Engravers Shaded (1906) Norwood Roman (1906), made for J. S. Cushing’s Norwood Press. Engravers Old English (1906), based upon Caslon Text and designed in association with "Cowan" or perhaps Joseph W. Phinney. [3] Engravers Old English Bold (1910) Clearface series, designed with the help of his father, Linn Boyd Benton. Clearface (1907)
Engravers Old English Bold (1910, Benton) Engravers Shaded (1906, Benton) Lithographic Shaded (1914, Benton + W. F. Capitian), a half-shaded version of Engravers Shaded. Engravers Text (1930, Benton) Flemish Black (1902, Phinney) Franklin Gothic series, the patriarch of American sans-serif faces, named for Benjamin Franklin, America’s ...
The Bauer Bodoni typeface, with samples of the three of the fonts in the family: Roman (or regular), bold, and italic.. In metal typesetting, a font (American English) or fount (Commonwealth English) is a particular size, weight and style of a typeface, defined as the set of fonts that share an overall design.
The following is a list of typefaces designed by Frederic Goudy.. Goudy was one of America's most prolific designers of metal type. He worked under the influence of the Arts and Crafts movement, and many of his designs are old-style serif designs inspired by the relatively organic structure of typefaces created between the fifteenth and eighteenth centuries, following the lead of earlier ...
Monotype Grotesque is a large family of fonts, including very bold, condensed and extended designs, created at different times. Monotype offered a sans-serif capital alphabet as its fourth typeface cut; others were developed later.
This list of fonts contains every font shipped with Mac OS X 10.0 through macOS 10.14, including any that shipped with language-specific updates from Apple (primarily Korean and Chinese fonts). For fonts shipped only with Mac OS X 10.5, please see Apple's documentation.
Albertus is a glyphic serif display typeface designed by Berthold Wolpe in the period 1932 to 1940 for the British branch of the printing company Monotype.Wolpe named the font after Albertus Magnus, the thirteenth-century German philosopher and theologian.
Monotype Modern, a nineteenth-century text face, next to Haas Clarendon Bold, a display face. Both fonts show classic nineteenth-century design features, for instance on the 'Q', 'R', 'r', 'a' and 'c'. However, the Clarendon is much wider with a higher x-height, and contrast between thick and thin strokes has been reduced.