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Las Damas Romanas (literally, "The Roman Dames"), also known as The Roman Maidens, The Roman Women, [1] or The Roman Ladies, [2] [3] is an oil on canvas painted in the style of Neo-Classicism by Juan Luna, one of the most famous Filipino painters of the Spanish period in the Philippines. [4]
Notable 19th-century oil paintings include Basi Revolt paintings, Sacred Art of the Parish Church of Santiago Apostol (1852), Spoliarium (1884), La Bulaqueña (1895), and The Parisian Life (1892). [230] A notable modern painting s The Progress of Medicine in the Philippines (1953). [230] After World War II, paintings were influenced by the ...
He also created albums of illustrations of native costumes. This he did primarily to sell to collectors. Such skills made Domingo one of the most famous and sought-after artists of his time in the Philippines. Domingo is regarded highly in the history of Filipino art and is credited with establishing academic courses in art in the Philippines. [2]
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Félix Resurrección Hidalgo y Padilla (February 21, 1855 – March 13, 1913) was a Filipino artist. He is acknowledged as one of the greatest Filipino painters of the late 19th century, and is significant in Philippine history for having been an acquaintance and inspiration for members of the Philippine reform movement which included José Rizal, Marcelo del Pilar, Mariano Ponce, and Graciano ...
The University of Santo Tomas Museum owns one of Asuncion’s paintings, dated February 1862. An unsigned portrait of Fr. Melchor Garcia de Sampedro at the UST Museum is said to be the work of Asuncion. Most of his other works are kept as national treasures at the Central Bank of the Philippines and the Philippines Museum.
Victorio Candido Edades (December 23, 1895 – March 7, 1985) was a Filipino painter.He led the revolutionary Thirteen Moderns, who engaged their classical compatriots in heated debate over the nature and function of art.
Don Luis Araneta Collection (Philippines) The Odalisque is a famous 1885 painting [ 1 ] by award-winning Filipino painter and revolutionary activist Juan Luna . It is one of Luna's so-called "Academic Salon portraits" that followed the standards of proper proportion and perspective, and realistic depictions with "an air of dignity and allure".