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Shakespeare's writing features extensive wordplay of double entendres and clever rhetorical flourishes. [27] Humour is a key element in all of Shakespeare's plays. His works have been considered controversial through the centuries for his use of bawdy punning, [ 28 ] to the extent that "virtually every play is shot through with sexual puns."
Then the writing style changes over to a more deliberate and heavier style, as can be seen, for example, in the speeches of Thomas More, which require greater thought and choice of words. Throughout, the writing shows a disposition to play with the pen, to exaggerate certain curves, to use heavier downstrokes, and to finish some final letters ...
William Shakespeare is an 1864 work by Victor Hugo, written in his 13th year of exile. The title is misleading; the true subject of the work is the writers that Hugo considered "the greatest geniuses of all time."
William Shakespeare's will, written in 1616 in secretary hand [3] At the time of Henry VII , many writers began to use the "Italian" style instead, a cursive script developed from the humanist minuscule or "Roman" hand which was easier to read but also easier to forge.
The following outline is provided as an overview of and topical guide to the life and legacy of William Shakespeare, an English poet, playwright, and actor who lived during the 17th century. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist.
William Shakespeare [a] (c. 23 [b] April 1564 – 23 April 1616) [c] was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "the Bard").
When William Shakespeare began writing his plays, the English language was rapidly absorbing words from other languages due to wars, exploration, diplomacy and colonization. By the age of Elizabeth, English had become widely used with the expansion of philosophy, theology and physical sciences, but many writers lacked the vocabulary to express ...
In sonnet 76 the poet fears his writing may be old-fashioned; in sonnet 77 he demonstrates both the problem and his fears by having sonnet 77 take the form of the much maligned rhetorical device correlatio, which was perhaps over-used by Philip Sidney in the 1590s, then later in that decade mocked by Sir John Davies in his Gullinge Sonnets.