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"Your Mother Should Know" is a song by the English rock band The Beatles, from their 1967 EP and LP, Magical Mystery Tour. It was written by Paul McCartney and credited to Lennon–McCartney. [3] [4] Titled after a line in the 1961 film A Taste of Honey, its lyrical premise centres on the history of hit songs across generations. McCartney said ...
"Baby's in Black" was recorded on 11 August 1964, and was the first song recorded for Beatles for Sale. [8] Lennon and McCartney sang their vocal parts simultaneously through the same microphone. This was done at their own insistence in order to achieve a closer feel to the performance.
All You Need Is Love" was selected for Our World for its contemporary social significance over the Paul McCartney-written "Your Mother Should Know". [11] [nb 1] In a statement to Melody Maker magazine, Brian Epstein, the band's manager, said of "All You Need Is Love": "It was an inspired song and they really wanted to give the world a message ...
2. "Come and Get It" by Badfinger. 1969 Written and produced by Paul McCartney, this song became a top 10 hit for Badfinger, a band signed to the Beatles’ Apple label.
Magical Mystery Tour is a record by the English rock band the Beatles that was released as a double EP in the United Kingdom and an LP in the United States. It includes the soundtrack to the 1967 television film of the same name.
The Beatles. They also performed "A Taste of Honey" seven times for BBC radio shows, including Here We Go, Side by Side, and Easy Beat. [6] In 1967, McCartney was inspired to compose “Your Mother Should Know” based on a line taken from the screenplay. [5]
The lyrics have also invited interpretation as a message to the Beatles' manager, Brian Epstein, and alternatively as a comment on fame. George Harrison performed the song during his visit to San Francisco's Haight-Ashbury district in August 1967, at the height of the Summer of Love. The track later appeared on the Beatles' Magical Mystery Tour ...
Further influences on pianists are his "bittersweet left-hand melodies, clusters of dense mid-range chords and ability to conjoin the angularity of [Thelonious] Monk with classical romance". [111] In 2013 Chinen stated that "Mehldau is the most influential jazz pianist of the last 20 years". [112]