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The Golden Age of Argentine cinema (Spanish: Época de Oro or Edad de Oro del cine argentino), [11] [12] sometimes known interchangeably as the broader classical or classical-industrial period (Spanish: período clásico-industrial), [13] [14] is an era in the history of the cinema of Argentina that began in the 1930s and lasted until the 1940s ...
The Golden Age of Argentine cinema (Spanish: Época de Oro or Edad de Oro del cine argentino), [2] [3] sometimes known interchangeably as the broader classical or classical-industrial period (Spanish: período clásico-industrial), [4] [5] is an era in the history of the cinema of Argentina that began in the 1930s and lasted until the 1940s or 1950s, depending on the definition, [note 1 ...
العربية; Aragonés; Azərbaycanca; Беларуская; Беларуская (тарашкевіца) Български; Català; Čeština; Cymraeg
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In the 2022 list, Leonardo Favio was the director with the greatest presence among the top 100 films, with eight titles. [1]The 100 Greatest Films of Argentine Cinema (Spanish: Las 100 mejores películas del cine argentino), also known as the Survey of Argentine cinema (Spanish: Encuesta de cine argentino), are a series of opinion polls carried out to establish a list of the greatest films of ...
In Argentina, the emergence of sound films in 1933 led to the Golden Age of Argentine cinema or the "classical-industrial period" (1930s–1950s), during which national film production underwent a process of industrialization and standardization that involved the emergence of mass production, the establishment of the studio, genre and star ...
In 1930 Adiós Argentina became the first Argentine film to have a soundtrack. The film spawned star actresses such as Libertad Lamarque and Ada Cornaro who both debuted in the film. In 1931 José A. Ferreyra directed Muñequitas porteñas , and was the first Argentine spoken film, with Vitaphone synchronisation.
العربية; Aragonés; Asturianu; Avañe'ẽ; Azərbaycanca; تۆرکجه; বাংলা; Беларуская; Български; Català; Čeština; Cymraeg