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This print from the Ravi Varma Press derived from a painting by Raja Ravi Varma follows the iconographic description of Saraswati as found in the 50th chapter of the Agni Purana. She is described in the Agni Purana as being attired in white and playing the Veena with two arms and holding an aksha-mala (a string of pearls) and a pustaka (book ...
For all those engaged in creative endeavours in Tibetan Buddhism she is a patroness of the arts, sciences, music, language, literature, history, poetry & philosophy. Sarasvati also became associated with the Tibetan deity Palden Lhamo (Glorious Goddess) who is a fierce protector deity in the Gelugpa tradition known as Magzor Gyalmo (the Queen ...
Saraswati is the goddess of learning, arts, and music, as well as the consort of Brahma, the creator. [ 4 ] Lakshmi is the goddess of fortune, wealth, fertility, auspiciousness, light, and material and spiritual fulfillment, as well as the consort of Vishnu , the maintainer or preserver. [ 5 ]
Vasant Panchami, also rendered Vasanta Panchami [4] [5] and Saraswati Puja in honour of the Hindu goddess Saraswati, is a festival that marks the preparation for the arrival of spring. The festival is celebrated in Indian religions in different ways depending on the region.
Rani Ki Vav (lit. ' The Queen's Stepwell ') is a stepwell situated in the town of Patan in Gujarat, India.It is located on the banks of the Saraswati River.Its construction is attributed to Udayamati, the spouse of the 11th-century Chaulukya king Bhima I.
The goddess is depicted yellow in colour with four heads and four(or six) arms. Like Brahma, she holds a japamala, a kamandalu (water pot), a lotus stalk, bells, vedas and the trident while she is seated on a hamsa (identified with a swan or goose) as her vahana (mount or vehicle).
Rigvedadi Bhashya Bhumika (also known as Introduction to Vedas) is a book originally written in Hindi by Dayanand Saraswati, a nineteenth-century social reformer and religious leader in India. His other notable book was Satyarth Prakash .
The language used is the 14-15th century Marathi. The book is written as a conversation between Siddha (who is a disciple of Shri Narasimha Saraswati) and Naamdharak who is listening to Siddha . Guru Charitra is divided into 3 parts: Dnyan kaand (Knowledge), Karma kaand (Work) and Bhakti Kaand (Devotion).