Search results
Results from the WOW.Com Content Network
It is one of two hymns that Wesley published in 1739 that he had translated from "Befiehl du deine Wege", a longer 1653 hymn by German hymnwriter Paul Gerhardt, the other being "Commit thou all Thy Griefs". [2] The latter has 8 out of the original 12 verses by Gerhardt, and "Give" has 4 verses. [2]
4) Surely He hath borne our griefs and carried our sorrows; yet we did esteem Him stricken, smitten of God, and afflicted. 5) But He was wounded for our transgressions; He was bruised for our iniquities. The chastisement of our peace was upon Him, and with His stripes we are healed.
Let the dead Past bury its dead! Act,—act in the living Present! Heart within, and God o'erhead! Lives of great men all remind us We can make our lives sublime, And, departing, leave behind us Footprints on the sands of time; Footprints, that perhaps another, Sailing o'er life's solemn main,
From everlasting thou art God, To endless years the same. 4 A thousand ages in thy sight Are like an evening gone, Short as the watch that ends the night Before the rising sun. 5 Time, like an ever-rolling stream, Bears all its sons away; They fly forgotten, as a dream Dies at the opening day. 6 O God, our help in ages past, Our hope for years ...
Surely he has borne our griefs and carried our sorrows; yet we esteemed him stricken, smitten by God, and afflicted. But he was wounded for our transgressions, he was bruised for our iniquities; upon him was the chastisement that made us whole, and with his stripes we are healed" ( 53:2–5 ).
VATICAN CITY (Reuters) -Pope Francis said the story of Jesus' birth as a poor carpenter's son should instil hope that all people can make an impact on the world, as the pontiff on Tuesday led the ...
"Leave It There" is a Christian hymn composed in 1916 by African-American Methodist minister Charles A. Tindley. [ 2 ] [ 3 ] It has become popular enough to have been included in 12 hymnals ; and even to be attributed to " traditional " or " anonymous ".
Paul Hume, music critic for the Washington Post, wrote that "this sound of the Mormon Tabernacle Choir has been a special beacon for those who love the world's great choral music." [2] In 1963 the album was RIAA certified as a Gold album.