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Paste paper used as a book covering, c. 1749. Paste paper is a type of surface design in which a colored, viscous media (generally starch paste) is applied directly to the surface of a paper sheet and modified with various tools and techniques to render an array of patterns and effects.
The canvas print material is generally cotton or plastic based poly canvas, often used for the reproduction of photographic images. Digital printers capable of producing canvas prints range from small consumer printers owned by the artist or photographer themselves up to large format printing service printers capable of printing onto canvas ...
The stencil and board are then separated and unloaded. The bottom of the stencil is wiped about every ten prints to remove excess solder paste remaining on the stencil. A typical printing operation has a speed of around 15 to 45 seconds per board. Print head speed is typically 1 to 8 inches per second. The printing process must be carefully ...
Woodblock printing is a technique for printing text, images or patterns used widely throughout East Asia and probably originating in China in antiquity as a method of printing on textiles and later paper. As a method of printing on cloth, the earliest surviving examples from China date to before 220 CE/AD. [citation needed]
Tsutsugaki (筒描) is a Japanese technique of resist dyeing that involves drawing rice-paste designs on cloth, dyeing the cloth, and then washing off the paste. [1] The rice paste is typically made from sweet rice, which has a high starch content and is therefore rather sticky. The paste is applied through a tube (tsutsu) similar to a piping bag.
A stencil for undyed paste was used to create skiamorphic white outlines between the areas of colour, making the finished kata-yūzen pattern resemble itome-yūzen. [ 3 ] The Exposition Universelle of 1900 in Paris introduced Art Nouveau [ 3 ] (a Western art movement heavily influenced by Japanese art ) [ citation needed ] to Japanese artists.
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