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The renowned Greek sculptor Polykleitos designed a sculptural work as a demonstration of his written treatise, entitled the Κανών (or 'Canon'), translated as "measure" or "rule"), exemplifying what he considered to be the perfectly harmonious and balanced proportions of the human body in the sculpted form.
Heroes in the Greek Heroic Age are often depicted on vases, expressing a portion of their story. Greek Hero Heracles is a popular icon among vases and paintings in early art. [6] Moments in history from this period are also captured in statues, such as Perseus with the head of Medusa, the Statue of Achilles, and the Pasquino Group. Polykleitos ...
Arctus is briefly mentioned by Hesiod, describing the shield of Heracles:. And there was the strife of the Lapith spearmen gathered round the prince Caeneus and Dryas and Peirithöus, with Hopleus, Exadius, Phalereus, and Prolochus, Mopsus the son of Ampyce of Titaresia, a scion of Ares, and Theseus, the son of Aegeus, like unto the deathless gods.
The following list of art deities is arranged by continent with names of mythological figures and deities associated with the arts. Art deities are a form of religious iconography incorporated into artistic compositions by many religions as a dedication to their respective gods and goddesses. The various artworks are used throughout history as ...
Vulci was probably the first center to have a typically Etruscan artistic tradition, manifested in forms of vessels and cauldrons with small groups of figurines of men and animals on their lids. These were the first human representations in Italian art only attributed with some certainty to mythological characters from the end of the period. [2 ...
Bust of Artemis, with the typical classical figure of idealized features and impassive expression.Roman copy, National Archaeological Museum of Naples Since the Severe period, the effort of artists was directed towards obtaining an increasing verisimilitude of sculptural forms concerning the living model but also seeking to transcend mere likeness to express their inner virtues.
The friezes showing processions and religious festivals, mythological scenes, images of the gods and fantastic creatures, which together created a particular ritual atmosphere, different from that of the profane world, which deeply sensitized the visitor and prepared him psychologically for divine worship. [45]
Whether taotie represented real, mythological or wholly imaginary creatures cannot be determined. The enigmatic bronzes of Sanxingdui, near Guanghan (in Sichuan province), are evidence for a mysterious sacrificial religious system unlike anything elsewhere in ancient China and quite different from the art of the contemporaneous Shang at Anyang.