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8mm 2 is a 2005 direct-to-video thriller film directed by J. S. Cardone and starring Johnathon Schaech and Lori Heuring. The film was distributed by Sony Pictures Home Entertainment. When the film was in production, it was titled The Velvet Side of Hell. When Sony picked up the rights to distribute it, it was re-titled 8mm 2.
8mm is a 1999 crime thriller film [3] directed by Joel Schumacher and written by Andrew Kevin Walker. A German–American co-production, the film stars Nicolas Cage as a private investigator who delves into the world of snuff films. Joaquin Phoenix, James Gandolfini, Peter Stormare, and Anthony Heald appear in supporting roles.
Because of the two passes of the film, the format was sometimes called Double 8. The frame size of regular 8 mm is 4.8 mm × 3.5 mm, and 1 meter of film contains 264 pictures. Normally, Double 8 is filmed at 16 or 18 frames per second. Common length film spools allowed filming of about 3 to 4 + 1 ⁄ 2 minutes at 12, 15, 16, and 18 frames per ...
8mm 2, a 2005 direct-to-video thriller film Topics referred to by the same term This disambiguation page lists articles associated with the same title formed as a letter–number combination.
Lori Ann Heuring is a Panamanian-born American film and television actress, known for her roles in 8mm 2, The Locket (2002), and Mulholland Drive (2001). Early life
2-Headed Shark Attack; 3 Chains o' Gold; 3-Headed Shark Attack; 6 Guns; 7 Seconds (film) 8mm 2; The 9/11 Commission Report (film) 30 Days of Night: Dark Days; The 41-Year-Old Virgin Who Knocked Up Sarah Marshall and Felt Superbad About It; 101 Dalmatians II: Patch's London Adventure; 555 (1988 film) 976-Evil II; 1000 to 1: The Cory Weissman Story
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Decades before the video revolution of the late 1970s/early 1980s, there was a small but devoted market for home films in the 16 mm, 9,5 mm, 8 mm, and Super 8 mm film market. Because most individuals in the United States owning projectors did not have one equipped with sound, vintage silent films were particularly well-suited for the market.
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