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Lou Donaldson playing a Selmer Mk VI alto Selmer Mark VI tenor saxophone Concert model with high F#, right hand G#, D to E flat trill and C to D trill using the palm key E flat. The Selmer Mark VI is a saxophone produced from 1954 to 1981. Production shifted to the Mark VII for the tenor and alto in the mid-1970s (see discussion of serial ...
The saxophone was a popular choice, as Selmer created the "Balanced action", which was a prototype for modern saxophones, many saxophones today have many of the components from this formation. The bore and bell were bigger than the American saxophone, become direct competition with them as a compatible option. [ 8 ]
Further ergonomic improvements were offered with the Mark VI introduced in 1953, which became the most widely used professional class saxophone produced in the mid twentieth century. King was the first manufacturer other than Selmer to adopt table key mechanisms derived from those of the Balanced Action, in 1949.
In terms of concert pitches, the alto saxophone's range is from concert D ♭ 3 (the D ♭ below middle C—see Scientific pitch notation) to concert A ♭ 5 (or A 5 on altos with a high F ♯ key). A few rare alto saxophones, like some Selmer Mark VI models, have been keyed to reach a low A, a semitone lower, similar to baritone saxophones. [2 ...
During the 1920s Buescher also made small numbers of tipped-bell soprano, straight alto, and straight tenor saxophones. Buescher stayed true to Adolphe Sax's concept for saxophone sound into the early 1930s, gaining the favor of classical saxophonist Sigurd Rascher and those influenced by him. Buescher adapted its sound concept to the bigger ...
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A bass saxophone in C, intended for orchestral use, was included in Adolphe Sax's patent, but few known examples were built. The bass saxophone is not a commonly used instrument, but it is heard on some 1920s jazz recordings, in free jazz, in saxophone choirs and sextets, and occasionally in concert bands and rock music.
It was marketed in 1967 by the Selmer Company, which developed units for flute, saxophone, and clarinet. The system included an integrated pickup microphone and a control box which allowed the player to use effects such as tremolo , basic EQ ("bright" and "dark"), simultaneous sub-octaves and echo in conjunction with a purpose-built amplifier.