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The Butler-Bowdon Cope, 1330–1350, V&A Museum no. T.36-1955.. The Anglo-Saxon embroidery style combining split stitch and couching with silk and goldwork in gold or silver-gilt thread of the Durham examples flowered from the 12th to the 14th centuries into a style known to contemporaries as Opus Anglicanum or "English work".
After the reign of Justinian I, the manufacture and sale of silk became an imperial monopoly, only processed in imperial factories, and sold to authorized buyers. [1] Byzantine silks are significant for their brilliant colours, use of gold thread, and intricate designs that approach the pictorial complexity of embroidery in loom-woven fabric. [2]
Embroidery continued the Arts and Crafts emphasis on practicality with information on technical aspects of needlework while also covering historical embroidery, including two articles on opus anglicanum by Louis de Farcy in addition to her own. [5] In 1911–1913 Christie published a set of six coloured cards of sampler designs, The Sampler Series.
Koslin, Désirée and Janet E. Snyder, eds.: Encountering Medieval Textiles and Dress: Objects, texts, and Images, Macmillan, 2002, ISBN 0-312-29377-1 Kybalová, Ludmila, Olga Herbenová, and Milena Lamarová: Pictorial Encyclopedia of Fashion , translated by Claudia Rosoux, Paul Hamlyn/Crown, 1968, ISBN 1-199-57117-2
As with today, a medieval woman had many options- from straw hats, to hoods to elaborate headpieces. A woman's activity and occasion would dictate what she wore on her head. The Middle Ages, particularly the 14th and 15th centuries, were home to some of the most outstanding and gravity-defying headwear in history.
A scene from the Bayeux Tapestry depicting Bishop Odo rallying Duke William's army during the Battle of Hastings in 1066. The Bayeux Tapestry [a] is an embroidered cloth nearly 70 metres (230 feet) long and 50 centimetres (20 inches) tall [1] that depicts the events leading up to the Norman Conquest of England in 1066, led by William, Duke of Normandy challenging Harold II, King of England ...
The Bayeux Tapestry tituli are Medieval Latin captions that are embroidered on the Bayeux Tapestry and describe scenes portrayed on the tapestry. These depict events leading up to the Norman conquest of England concerning William, Duke of Normandy, and Harold, Earl of Wessex, later King of England, and culminating in the Battle of Hastings.
With England and France mired in the Hundred Years War and its aftermath and then the English Wars of the Roses through most of the 15th century, European fashion north of the Alps was dominated by the glittering court of the Duchy of Burgundy, especially under the fashion-conscious power-broker Philip the Good (ruled 1419–1469).
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