Search results
Results from the WOW.Com Content Network
Glinka composing Ruslan and Lyudmila, by Ilya Repin. As with A Life for the Tsar, Ruslan employs some aspects of Russian folk music; it is also noted for imaginative use of dissonance, chromaticism, and Eastern elements. Of particular consequence is the use of the whole tone scale for the first time in Russian music. [5]
Mikhail Ivanovich Glinka (Russian: Михаил Иванович Глинка [a], romanized: Mikhail Ivanovich Glinka [b], IPA: [mʲɪxɐˈil ɨˈvanəvʲɪdʑ ˈɡlʲinkə] ⓘ; 1 June [O.S. 20 May] 1804 – 15 February [O.S. 3 February] 1857) was the first Russian composer to gain wide recognition within his own country and is often regarded ...
for piano with 2 violins, cello and double bass: also for 2 pianos 6-hands Chamber music: 15: 1832: Большой секстет: Grand Sextet in E ♭ major: for 2 violins, viola, cello, double bass and piano: a.k.a. Gran sestetto originale: Chamber music: 1832: Серенада на некоторые мотивы из оперы «Анна ...
From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score. The score image in the background was taken from the beginning of the first printed book of music, the Harmonice Musices Odhecaton. It was published in Venice, Italy in 1501 by Ottaviano Petrucci, the library's namesake. [5] [non-primary source needed]
In keeping with Glinka's European training, much of A Life for the Tsar was structured according to conventional Italian and French models of the period. Nevertheless, several passages in the opera are based on Russian folk songs or folk melodic idioms that become a full part of the musical texture.
Allans Music; Alle Jahre wieder; Allegretto for Piano Trio, WoO 39 (Beethoven) Allegro barbaro (Bartók) Allegro Brillant (Mendelssohn) Allegro de concert (Chopin) Allegro de concierto; Allegro in D major (Mozart) L'Allegro, il Penseroso ed il Moderato; Allein Gott in der Höh sei Ehr; Allein zu dir, Herr Jesu Christ, BWV 33
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
The Finn finds Ruslan and resurrects him with magical waters. He gives Ruslan a ring which will break Ludmila's spell, but tells him that he must first save the city from its attackers. Ruslan returns to Kiev, Chernomor still in tow, and leads the city's warriors to victory. Ruslan touches Ludmila's face with the ring and she awakens.