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  2. OpenSL ES - Wikipedia

    en.wikipedia.org/wiki/OpenSL_ES

    OpenSL ES (Open Sound Library for Embedded Systems) is a royalty-free, cross-platform, hardware-accelerated, C-language audio API for 2D and 3D audio. It provides access to features such as 3D positional audio and MIDI playback.

  3. Creative Zen - Wikipedia

    en.wikipedia.org/wiki/Creative_Zen

    To fix the lack of bass with the ZEN Micro, Creative implemented a Bass Boost feature, available in most subsequent players. The 8 GB player is available in the same colors of the Micro and is advertised to store "thousands of JPEGs " or "4,000 songs".

  4. Equalization (audio) - Wikipedia

    en.wikipedia.org/wiki/Equalization_(audio)

    The bass control may be used, for instance, to increase the drum and bass parts at a dance party, or to reduce annoying bass sounds when listening to a person speaking. The treble control might be used to give the percussion a sharper or more "brilliant" sound, or can be used to cut such high frequencies when they have been overemphasized in ...

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  6. Proximity effect (audio) - Wikipedia

    en.wikipedia.org/wiki/Proximity_effect_(audio)

    The proximity effect in audio is an increase in bass or low frequency response when a sound source is close to a directional or cardioid microphone. [1] [2] Proximity effect is a change in the frequency response of a directional pattern microphone that results in an emphasis on lower frequencies. It is caused by the use of ports to create ...

  7. Bass (sound) - Wikipedia

    en.wikipedia.org/wiki/Bass_(sound)

    David Mancuso hired sound engineer Alex Rosner [10] to design additional subwoofers for his disco dance events, along with "tweeter arrays" to "boost the treble and bass at opportune moments" at his private, underground parties at The Loft. [11] The demand for sub-bass sound reinforcement in the 1970s was driven by the important role of ...

  8. Dynamic range compression - Wikipedia

    en.wikipedia.org/wiki/Dynamic_range_compression

    Compression is used extensively in broadcasting to boost the perceived volume of sound while reducing the dynamic range of source audio. To avoid overmodulation, broadcasters in most countries have legal limits on instantaneous peak volume they may broadcast. Normally these limits are met by permanently inserted compression hardware in the on ...

  9. Treble booster - Wikipedia

    en.wikipedia.org/wiki/Treble_booster

    The Colorsound Power Boost is a treble and bass booster that runs on 18 volts, using two nine-volt batteries. David Gilmour used this orange coloured unit, but is often misunderstood to have used an Orange brand Treble Booster. [14] Other notable users include Gary Moore. [15]