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"Today" is a folk rock ballad written by Marty Balin and Paul Kantner from the band Jefferson Airplane. It first appeared on their album Surrealistic Pillow with a live version later appearing on the expanded rerelease of Bless Its Pointed Little Head. Marty Balin said, "I wrote it to try to meet Tony Bennett. He was recording in the next studio.
The Tin Pan Alley publishers hired her to arrange the chords and her name is on hundreds of examples of music from the 1920s on. [6] Her name appears as a music arranger on more pieces than any other individual. [7] Her earliest known credit for a ukulele arrangement was in 1917, [8] but her arrangements began to appear in large numbers in 1923.
The final song on The New Christy Minstrels' May 1964 Columbia Records album Today, [4] the title track was released as the single Columbia 43000 with the B side "Miss Katy Cruel". The record peaked at No. 17 on the Billboard magazine "Hot 100" chart and No. 4 on the magazine's Adult Contemporary chart. [5] [6]
CFZM (740 kHz) is an commercial Canadian AM radio station in Toronto, Ontario.It is owned by ZoomerMedia, headed by Canadian broadcaster Moses Znaimer.It airs an adult standards and oldies format, branded as Zoomer Radio, with the slogan "The Original Greatest Hits".
Sing along to some of the best karaoke songs at your next party! We feature top karaoke songs for women and men, even if you're not the best vocalist!
In the 1980s, as music listening began to shift from AM to FM, KRMG added talk shows at night from NBC Talknet. By the 1990s, the station dropped music altogether and made the transition to the current news/talk format. Cox Media acquired KRMG and KWEN in 1997. [7] In 2009, a new KRMG-FM was created at 102.3 MHz.
WJIB (740 AM) is a radio station in Cambridge, Massachusetts, and serving Greater Boston.Licensed to RCRQ, Inc.—a company owned by veteran broadcaster John Garabedian —the station plays a mix of adult standards and soft oldies music from the early 1990s and earlier.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...