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Daniel S. DeCarlo (December 12, 1919 – December 18, 2001) [2] was an American cartoonist best known for having developed the look of Archie Comics in the late 1950s and early 1960s, modernizing the characters to their contemporary appearance and establishing the publisher's house style up until his death.
Harry Frank Sahle (April 18, 1912 – September 22, 1950) [4] was an American comic book artist who drew for such publishers as Archie Comics—helping create the defined look of Archie Comics' breakout character, Archie Andrews—Quality Comics and the Marvel Comics precursor company Timely Comics during the 1930s-1940s period historians and fans call the Golden Age of Comic Books.
Stan Goldberg (May 5, 1932 – August 31, 2014) was an American comic book artist, best known for his work with Archie Comics and as a Marvel Comics colorist who in the 1960s helped design the original color schemes of Spider-Man, the Fantastic Four and other major characters.
The character Archie Andrews, created by John L. Goldwater, Bob Montana and Vic Bloom, first appeared in a humor strip in Pep Comics #22 (December, 1941).. Within the context of the strip and the larger series that grew out of it, Archie is a typical teenage boy, attending high school, participating in sports, and dating.
Archie (also known as Archie Comics) is an ongoing comic book series (published from 1942 through 2020 in two volumes) featuring the Archie Comics character Archie Andrews. The character first appeared in Pep Comics #22 ( cover dated December 1941).
Harry Lucey (November 13, 1913 – August 28, 1984) [1] was an American comic artist best known for his work in MLJ and Archie Comics. He was the primary artist on Archie, the company's flagship title, from the late 1950s through the mid-1970s. Lucey, who graduated from the Pratt Institute in 1935, worked on both adventure and humor titles for ...
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When Montana started working for MLJ Comics [note 1] he was asked to work up a high-school style comic-strip story, featuring Archie Andrews. [10] Bob Montana presented his four-boy strip to John Goldwater while working as a freelance artist at MLJ. Goldwater thought it would be more appealing to feature two boys and two girls than four boys.