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Prince Igor (Russian: Князь Игорь, romanized: Knyaz Igor, listen ⓘ) is an opera in four acts with a prologue, written and composed by Alexander Borodin.The composer adapted the libretto from the early Russian epic The Lay of Igor's Host, which recounts the campaign of the 12th-century prince Igor Svyatoslavich against the invading Cuman ("Polovtsian") tribes in 1185. [1]
[4] [5] [6] Borodin is known best for his symphonies, his two string quartets, the symphonic poem In the Steppes of Central Asia and his opera Prince Igor. A doctor and chemist by profession and training, Borodin made important early contributions to organic chemistry.
Part of unperformed collaborative ballet-opera-spectacle by Cui (Act 1), Mussorgsky and Rimsky-Korsakov (Acts 2 and 3), and Borodin (Act 4), with ballet music by Minkus. Borodin used material from his unfinished Prince Igor as the basis for Act 4. Finale orchestrated by Rimsky-Korsakov as a concert piece (1892)
The Polovtsian dances, or Polovetsian dances (Russian: Половецкие пляски, romanized: Polovetskie plyaski from the Russian "Polovtsy" – the name used by the Rus' for the Kipchaks and Cumans) form an exotic scene at the end of act 2 of Alexander Borodin's opera Prince Igor.
Prince Igor (Russian: Князь Игорь, romanized: Knyaz Igor is a screen version of the eponymous opera by Alexander Borodin based on the epic poem "The Lay of Igor's Host". The film was directed by Roman Tikhomirov, and shot at the Lenfilm Studios in 1969. [1]
Pages in category "Operas by Alexander Borodin" ... Mlada; P. Prince Igor This page was last edited on 14 March 2013, at 07:21 (UTC). ...
In 1879 Borodin revised the orchestration of the symphony and thinned out the heavy brass parts. The premiere of this final version took place 4 March 1879 under the baton of Rimsky-Korsakov at a Free School Concert. [10] Borodin became occupied with the symphony one last time in 1886, while preparing the manuscript full score for the printer.
Alexander Borodin (1833–1887) A "weekend composer" who spent 17 years working on a single opera, Prince Igor, which now forms a key part of the Russian repertory. [36] Camille Saint-Saëns (1835–1921). French composer of around a dozen operas of which one, the Biblical Samson et Delila, is still performed. [37]