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"Bristol Stomp" is a song written in 1961 by Kal Mann and Dave Appell, two executives with the Cameo-Parkway record label, for The Dovells, a doo-wop singing group from Philadelphia, Pennsylvania, who recorded it for Cameo-Parkway late that year. Appell also produced and arranged the track and his Cameo-Parkway's house band served as the studio ...
The Dovells first national hit was "Bristol Stomp", a dance song [1] which was followed by a similar hit "Do the New Continental" (in the John Waters movie Hairspray). "Bristol Stomp" sold over one million copies and won a gold disc. [2] They appeared performing both songs in the Chubby Checker movie called Don't Knock the Twist in 1961.
In 1961, the Dovells reached #2 on the Billboard Hot 100 with a song called "The Bristol Stomp", which refers to Bristol, Pennsylvania, and includes the line "We ponied and twisted and we rocked with Daddy G". Since Gene Barge had earlier co-written "A Night With Daddy 'G' - Part 1" and "A Night With Daddy 'G' - Part 2" (Legrand LEG 1004), many ...
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"Bristol Stomp" sold over one million copies and was awarded a RIAA gold disc. [4] As a Dovell, he also toured with James Brown . Barry also made film appearances with the Dovells in films such as Don't Knock the Twist and toured the UK with the Motown Revue.
Among the types of music released were doo-wop, dance hits, popular/rock, rockabilly, big band, garage rock, soul and novelty records. Until 1962, Cameo was also the parent company name for both labels, and Parkway was a subsidiary. In 1962, the parent company was renamed from Cameo to Cameo-Parkway, to give both labels equal status.
The Dovells released a version of the song as the B-side to their 1961 single "Bristol Stomp". [8] Clark Terry released a version of the song on his 1961 album, Everything's Mellow. Gene Ammons, Sonny Stitt, and Jack McDuff released a version of the song on their 1962 album, Soul Summit. [9]
Northern soul is a music and dance movement that emerged in Northern England and the Midlands in the early 1970s. It developed from the British mod scene, based on a particular style of Black American soul music with a heavy beat and fast tempo (100 bpm and above).