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Trading My Sorrows: The Best of Darrell Evans is a compilation of Christian worship music by Darrell Evans released in 2002. Track listing
Trading My Sorrows More Than Gold 2000 Trading My Sorrows Whom Shall I Fear Millennium Worship 2 2001 Undignified Your Love is Extravagant Open the Eyes of My Heart, Vol. 1 2001 Trading My Sorrows So Good To Me Walk into The Room Absolute Worship 2004 All We Want is You ORU Worship – Extraordinary 2006 Worthy To The Lord I Am Free (cover)
"Trading My Sorrows" written by Darrell Evans; performed by Darrell Evans; from Only God for Me, released 1999-06-29; live recording from 1998 at Integrity Songwriter Summit, Mobile, Alabama, USA "Every Move I Make" written by David Ruis; performed by David Ruis; from Touching the Father's Heart, released 1997-01-02
Chords with more than three notes include added tone chords, extended chords and tone clusters, which are used in contemporary classical music, jazz and almost any other genre. A series of chords is called a chord progression. [1] One example of a widely used chord progression in Western traditional music and blues is the 12 bar blues progression.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
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In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest.
A block chord is a chord or voicing built directly below the melody either on the strong beats or to create a four-part harmonized melody line in "locked-hands" [1] rhythmic unison with the melody, as opposed to broken chords. This latter style, known as shearing voicing, was popularized by George Shearing, but originated with Phil Moore. [1]