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Tonewood refers to specific wood varieties used for woodwind or acoustic stringed instruments. The word implies that certain species exhibit qualities that enhance acoustic properties of the instruments, but other properties of the wood such as aesthetics and availability have always been considered in the selection of wood for musical instruments.
After Jansma completed his training at Moennig and Son, he enrolled into the International School of Violin Making of Cremona, where he learned Italian violin-making techniques and earned his diploma. [5] As a specialist in tonewoods, he sold Yugoslavian maple and Italian spruce to the Cremonese makers while in Europe and later to American makers.
However, violin dealer Martin Swan has received the bills and the accompanying letter for a Heinicke violin, which means that the value of the instrument can still be calculated today. The violin from 1931 shown here was sold for 1403 Czech crowns. The exchange rate of the Crown against the Reichsmark was 0.85 [4] in 1932.
The wood William used would often be the Po Valley Poplar, a figured cello tonewood that can resemble maple. The finishing techniques included very light stain, or a violin color finish, and light sealer. The multiple layer binding was wooden, something fairly innovative at the time, and was raised above the level of the top and back plates.
Whether they made the instruments or not, they did handle tonewood and were described as a large importer of the wood. [6] The company later relocated to 8 Bosworth Street in Boston, a few blocks from its earlier Court Street address. [1] From the Bosworth Street location, the Elias Howe Company issued an extensively illustrated 97-page catalog ...
Carleen Maley Hutchins (May 24, 1911 – August 7, 2009) was an American high school science teacher, violinmaker and researcher, best known for her creation, in the 1950s/60s, of a family of eight proportionally-sized violins now known as the violin octet (e.g., the vertical viola) and for a considerable body of research into the acoustics of violins.
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