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In late November 2014, Steve Roach was selected as Echoes Radio's #1 Artist [11] and Structures from Silence was voted as the #2 album. [12]Fact listed Structures from Silence as the tenth best album of the 1980s, calling it a "thoughtful, slow-paced study in synthesizer" and one of the most important ambient albums of all time. [13]
Upon Reflection is a solo album by English reed player and ... Fortunately there is enough variety in this generally quiet music to hold one's interest." [2 ...
In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
Silent music (1941), by Raymond Scott (1909–1994) The band was going through all the motions: the swart, longish-haired leader led away; the brasses, the saxophones, the clarinets made a great show of fingering and blowing, but the only sound from the stage was a rhythmic swish-swish from the trap-drummer, a froggy slap-slap from the bull ...
Talisk are a purely instrumental band. Rob Adams of the Herald Scotland noted in a review that "in the absence of songs to vary the mood and tempo, they employ passages of reflection and trance-like motifs or offer a quiet melodic introduction." [9]
Music critic Kyle Gann called the piece "one of the most misunderstood pieces of music ever written and yet, at times, one of the avant-garde’s best understood as well". He dismissed the idea that 4′33″ was a joke or a hoax, wrote that the theory of Dada and theater have some justification, and said that for him the composition is a ...
The Music of Creation: Foundations of a Christian Life — (Tarcher/Putnam) (1999) ... Quiet Reflections (1991, Santa Fe Communications, Inc.) Information sources
Quiet Music for Quiet People is a completely improvised project featuring Inga Liljeström on vocals. It was recorded over two nights in August 2006. It was recorded over two nights in August 2006. It was an experiment in improvised ambient music.
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