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Rubin's vase utilizes the concept of Negative space to create ambiguous images: the vase or two opposing faces. Ambiguous images or reversible figures are visual forms that create ambiguity by exploiting graphical similarities and other properties of visual system interpretation between two or more distinct image forms.
An Inuit woman in 1945 with traditional face tattoos. Kakiniit (Inuktitut: ᑲᑭᓐᓃᑦ [kɐ.ki.niːt]; sing. kakiniq, ᑲᑭᓐᓂᖅ) are the traditional tattoos of the Inuit of the North American Arctic. The practice is done almost exclusively among women, with women exclusively tattooing other women with the tattoos for various purposes.
Bruce & Young Model of Face Recognition, 1986. One of the most widely accepted theories of face perception argues that understanding faces involves several stages: [7] from basic perceptual manipulations on the sensory information to derive details about the person (such as age, gender or attractiveness), to being able to recall meaningful details such as their name and any relevant past ...
"You could see a diamond-shaped face, and someone else would call it an oblong face," says Dr. Tripathi. "There's a more gaunt temple area, more width to the mid-face, and then a narrower lower face."
Facial bilateral symmetry is typically defined as fluctuating asymmetry of the face comparing random differences in facial features of the two sides of the face. [4] The human face also has systematic, directional asymmetry : on average, the face (mouth, nose and eyes) sits systematically to the left with respect to the axis through the ears ...
A component of the female beauty ideal in Persian literature is for women to have faces like a full moon. [192] [209] [210] Similarly, in Arabian society in the Middle Ages, a component of the female beauty ideal was for women to have round faces which were like a "full moon". [193]
Like their female counterparts, males also use visual information about a potential mate, as well as voice, body shape, and an assortment of other factors in selecting a partner. Research shows that males tend to prefer feminine women's faces and voices as opposed to women with masculine features in these categories. [44]
Doug Jones, a visiting scholar in anthropology at Cornell University, said that human evolution's trend toward neoteny may have been caused by sexual selection in human evolution for neotenous facial traits in women by men with the resulting neoteny in male faces being a "by-product" of sexual selection for neotenous female faces.