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According to Danish noise and music theorist Torben Sangild, one single definition of noise in music is not possible. Sangild instead provides three basic definitions of noise: a musical acoustics definition, a second communicative definition based on distortion or disturbance of a communicative signal, and a third definition based in subjectivity (what is noise to one person can be meaningful ...
Likewise, list includes music RSS apps, widgets and software, but for a list of actual feeds, see Comparison of feed aggregators. For music broadcast software lists in the cloud, see Content delivery network and Comparison of online music lockers.
viral symphOny is a collaborative electronic noise music symphony created by the postconceptual artist Joseph Nechvatal. [1] [2] It was created between the years 2006 and 2008 using custom artificial life C++ software based on the viral phenomenon model. [3] It is 1 hour and 40 minutes in length. [4]
The first electronic music visualizer was the Atari Video Music introduced by Atari Inc. in 1977, and designed by the initiator of the home version of Pong, Robert Brown. The idea was to create a visual exploration that could be implemented into a Hi-Fi stereo system. [1] In the United Kingdom music visualization was first pioneered by Fred Judd.
Power electronics is a style of noise music that typically consists of static, screeching waves of feedback, analogue synthesizers making sub-bass pulses or high frequency squealing sounds, with sometimes screamed and distorted vocals.
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording.
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