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Sweeney Todd: The Demon Barber of Fleet Street is a 2007 gothic musical slasher film [7] directed by Tim Burton from a screenplay by John Logan, based on the stage musical of the same name by Stephen Sondheim and Hugh Wheeler, which in turn is based on the 1970 play Sweeney Todd by Christopher Bond.
Sweeney Todd: The Demon Barber of Fleet Street: The Motion Picture Soundtrack is a soundtrack to the film of the same name, released on December 18, 2007.. In a change from the original, Sondheim cut the show's famous opening number, "The Ballad of Sweeney Todd", explaining, "Why have a chorus singing about 'attending the tale of Sweeney Todd' when you could just go ahead and attend it?"
The first was Sweeney Todd from 1926 starring G.A. Baughan and again in 1928 with Moore Marriott as Sweeney Todd. [ 3 ] In The Unknown 30s: An Alternative History of the British Cinema 1929-1939 (1998), Jeffrey Richards stated the film was a simplified version of the story dramatized by George Dibdin-Pitt , noting that the story is simplified ...
Inside Llewyn Davis Yep, 10/10 would let Oscar Isaac sing me sad folk songs at any time. Also, huge kudos to whatever Adam Driver is doing in this movie—I am obsessed with it.
After seeing Todd kill Mrs. Lovett, a vengeful Toby emerges from the sewers, where he was hiding, and slashes Todd's throat with his razor. Sweeney, knowing that Toby is about to kill him, lifts his head to make it easier [3] [4] In Sweeney Todd: The Demon Barber of Fleet Street, a 2007 film adaptation of the musical directed by Tim Burton ...
Sweeney Todd: The Demon Barber of Fleet Street, also known as Sweeney Todd is a 1979 musical with music and lyrics by Stephen Sondheim and book by Hugh Wheeler. It is based on the 1970 play Sweeney Todd by Christopher Bond. The character of Sweeney Todd first appeared in a Victorian penny dreadful titled The String of Pearls.
Scott Foundas of Variety described this song as "tender and haunting", noting that street urchin Tobias "becomes, for a moment, her surrogate son". [1] Reviewing the 2007 film, Peter Travers of Rolling Stone wrote "[Helena] Bonham Carter evokes chills in 'Not While I'm Around,' a ballad of devotion she croons to her young apprentice, Toby, just before she arranges his demise". [2]
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