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Lifeson says the guitar solo in the song is a "really hard solo to play", describing it as "frenetic and exciting" and "one of the most ambitious pieces of music Rush has ever done". [15] In his book Rush, Rock Music and the Middle Class: Dreaming in Middletown, Chris McDonald describes Lifeson's play as a "searing, rapid-fire" guitar solo. [16]
"Force Ten" was released in the United States by Mercury Records as a 12" vinyl one-track promotional single in 1987. [1] It is the opening track of Rush's studio album Hold Your Fire, and the song later appear on compilation albums such as Chronicles, Retrospective II, The Spirit of Radio: Greatest Hits 1974-1987, Gold, Icon, and Sector 3. [10]
Neil's original handwritten lyric sheet survives. [37] "The Spirit of Radio" Permanent Waves: 1980 Inspired by a slogan of Toronto radio station CFNY, which was the first station to play a Rush song over the air. [38] "Freewill" Permanent Waves: 1980 "[Musically], the song is a new thing for us in terms of time signatures. [The piece is mostly ...
"Dreamline" is a song by the Canadian rock band Rush. It was released as a single and on their 1991 album Roll the Bones.The song peaked at number one on the U.S. Mainstream Rock Tracks chart.
Roll the Bones is the fourteenth studio album by Canadian rock band Rush, released September 3, 1991, on Anthem Records. [7] [8] The band began working on the album after a brief creative hiatus following the tour promoting their previous release, Presto (1989).
The video also features the band performing the song on an oversized Monopoly-style game board with the words "Big Money" in the middle. A full-length version of the video was included on the VHS and laserdisc releases of Rush's Grace Under Pressure tour concert film, while an edited version was released to MTV and other outlets, as well as on ...
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The tempo is moderately fast. The song starts in 7 4 before going to common time by the first verse. [4] 'Til Tuesday frontwoman Aimee Mann briefly sings in each chorus of the song, marking Rush's first collaboration with another vocalist, [5] with Rush guitarist Alex Lifeson adding that the band thought a female singer "would suit the song".
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