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The additional assistant director (AAD or Additional), or fourth assistant director (4AD or "fourth"), or "key production assistant" (key PA), may have a number of duties. Most commonly, the AAD has two broad job functions. One is the contraction of the duties of an AD where the AD acts as both second AD and third AD simultaneously.
The weapons master, sometimes credited as the armorer, weapons specialist, weapons handler, weapons wrangler, or weapons coordinator, is a film crew specialist that works with the property master, director, actors, stunt coordinator and script supervisor. [1]
Director: is primarily responsible for the storytelling, creative decisions and acting of the film. Assistant director (AD): manages the shooting schedule and logistics of the production, among other tasks. There are several types of AD, each with different responsibilities.
A production assistant, also known as a PA, is a member of the film crew and is a job title used in filmmaking and television for a person responsible for various aspects of a production. The job of a PA can vary greatly depending on the budget and specific requirements of a production as well as whether the production is unionized .
Webb's first film as assistant director under Henry King was The Country Doctor (1936). It was made at 20th Century Fox where Webb would work for most of his career.. Webb was assistant director on Sins of Man (1936), directed by Otto Brower, then did five films in a row with King: Ramona (1936), Lloyd's of London (1936), Seventh Heaven (1937), Alexander's Ragtime Band (1938) and In Old ...
The script supervisor is the primary liaison between the director (who decides what scenes are to be shot) and the editor (who is usually not present during actual filming but needs to have exact records of the filming in order to do the job of cutting the film together). The script supervisor is generally considered as part of the director's team.
The film's director will select important department heads (keys) or support personnel related to their work, including the casting director, cinematographer, costume designer, production designer, and film editor. For below-the-line matters, the UPM often negotiates deals (for location, equipment, etc.) and hires the remaining crew, typically ...
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