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The Battle Hymn of the Republic: A Biography of the Song That Marches On (Oxford University Press; 2013) ISBN 978-0-19-933958-7. 380 pages. Traces the history of the melody and lyrics & shows how the hymn has been used on later occasions. Stutler, Boyd B. Glory, Glory, Hallelujah! The Story of "John Brown's Body" and "Battle Hymn of the ...
"The Battle Hymn of the Republic, Updated" (otherwise known as "The Battle Hymn of the Republic (Brought Down to Date)") was written in 1900 [1] by Mark Twain, as a parody of American imperialism, in the wake of the Philippine–American War. It is written in the same tune and cadence as the original "Battle Hymn of the Republic" by Julia Ward ...
Julia Ward Howe (/ h aʊ / HOW; [1] May 27, 1819 – October 17, 1910) was an American author and poet, known for writing the "Battle Hymn of the Republic" as new lyrics to an existing song, and the original 1870 pacifist Mothers' Day Proclamation. She was also an advocate for abolitionism and a social activist, particularly for women's suffrage.
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Gunka (軍歌, lit. ' military song ') is the Japanese term for military music. While in standard use in Japan it applies both to Japanese songs and foreign songs such as "The Battle Hymn of the Republic", as an English language category it refers to songs produced by the Empire of Japan in between roughly 1877 and 1943.
The chorus mimics the chorus in The Battle Hymn of the Republic, replacing the lyrics "Glory, glory, hallelujah! His truth is marching on." with "Gory, gory, what a hell of a way to die! He ain't gonna jump no more." [2] [3] The song is a cautionary tale on the dangers of improper preparation for a parachute jump. [4]
The tune was later also used for "The Battle Hymn of the Republic" (written in November 1861, published in February 1862; this song was directly inspired by "John Brown's Body"), "Marching Song of the First Arkansas", "The Battle Hymn of Cooperation", "Bummers, Come and Meet Us" (see facsimile), and many other related texts and parodies during ...
After Union forces began using "Battle Hymn of the Republic" as a rallying song in 1861, Halphim wrote "God Save The South" to inspire Confederate soldiers with the thought that God would be with them. [2] It was the first song published in the Confederate States—specifically, in New Orleans, Louisiana—since the Ordinance of Secession. [1]