Search results
Results from the WOW.Com Content Network
"Soul Serenade" is a jazz instrumental written by King Curtis (Curtis Ousley) and Luther Dixon. Curtis played the lead on a B-flat saxello , a version of the alto sax . [ 2 ] The song was released on Curtis' 1964 album "Soul Serenade".
Allman went on to honor Curtis by interweaving a medley of "Soul Serenade" into the band's rendition of "You Don't Love Me", first in a show at the Academy of Music on East 14th Street in Manhattan on August 15, [19] and later during a live in-studio recording at A&R Studios in Manhattan on August 26, recorded for posterity and released on LP ...
"Memphis Soul Stew" is a song by American saxophonist and bandleader King Curtis (1934–1971). The track is a narrative that describes the Memphis Soul sound in terms of a cooking recipe, with each instrument introduced by Curtis. This includes "fatback drums", "a pinch of organ" and "a half-pint of horns".
Johnathan Takiff of the Philadelphia Daily News wrote in a B- review, "Smooth school saxophonist Kirk Whalum gets into a Memphis mood on "Into My Soul". [3] Matt Collar of AllMusic remarked "On what is ostensibly his Memphis album, Whalum -- a Memphis native -- does evince a Stax-style soulfulness; unfortunately, he keeps the arrangements and his own playing so mild and light that nothing ...
Soul Serenade is the name of several songs and albums produced by different artists, including: Soul Serenade (Derek Trucks album), a 2003 album by The Derek Trucks Band; Soul Serenade (Gloria Lynne album), 1965; Soul Serenade, a 2000 album by Gospellers "Soul Serenade" (King Curtis song), a 1968 jazz song by King Curtis
“The thing that has impressed me with this team is that they don’t get down,” Chiefs head coach Andy Reid said Monday. “That’s not what they are.
The Serenade for Tenor, Horn and Strings, Op. 31, is a song cycle written in 1943 by Benjamin Britten for tenor, solo horn and a string orchestra.Composed during the Second World War at the request of the horn player Dennis Brain, it is a setting of a selection of six poems by English poets on the subject of night, including both its calm and its sinister aspects.
The recording was made at the Fillmore West concert hall, the storied rock venue in San Francisco, over three nights: March 5, 6 and 7 in 1971.The album opens with Franklin's best-known song, her version of Otis Redding's "Respect".