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The Chauvet-Pont-d'Arc Cave (French: Grotte Chauvet-Pont d'Arc, French pronunciation: [ɡʁɔt ʃovɛ pɔ̃ daʁk]) in the Ardèche department of southeastern France is a cave that contains some of the best-preserved figurative cave paintings in the world, [1] as well as other evidence of Upper Paleolithic life. [2]
Prehistoric cave painting of animals at Albarracín, Teruel, Spain (rock art of the Iberian Mediterranean Basin) Cave artists use a variety of techniques such as finger tracing, modeling in clay, engravings, bas-relief sculpture, hand stencils, and paintings done in two or three colors. Scholars classify cave art as "Signs" or abstract marks.
Modern entrance to the Lascaux cave. On 12 September 1940, the entrance to the Lascaux Cave was discovered on the La Rochefoucauld-Montbel lands by 18-year-old Marcel Ravidat when his dog, Robot, investigated a hole left by an uprooted tree (Ravidat would embellish the story in later retellings, saying Robot had fallen into the cave.) [8] [9] Ravidat returned to the scene with three friends ...
It is estimated to be 35,400 years old. The art works were examined with the help of the Uranium-Thorium method of the sintering on the paintings. [9] Redrawing of hunting scene from the Caves in the Maros-Pangkep karst. Inside the entrance of the Pettakare cave, on the roof, are 26 red and white hand prints, not yet dated as of 2014. [6]
Art of the European Upper Paleolithic includes rock and cave painting, jewelry, [12] [13] drawing, carving, engraving and sculpture in clay, bone, antler, [14] stone [15] and ivory, such as the Venus figurines, and musical instruments such as flutes. Decoration was also made on functional tools, such as spear throwers, perforated batons and lamps.
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The history of cave paintings in India or rock art range from drawings and paintings from prehistoric times, beginning in the caves of Central India, typified by those at the Bhimbetka rock shelters from around 10,000 BP, to elaborate frescoes at sites such as the rock-cut artificial caves at Ajanta and Ellora, extending as late as 6th–10th century CE.
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