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The Smurfette principle is the practice in media, such as film and television, to include only one woman in an otherwise entirely male ensemble. [1] [2] It establishes a male-dominated narrative, where the woman is the exception and exists only in reference to the men.
Häxan (1922), a horror essay film about the historical roots and superstitions surrounding witchcraft. A film essay (also essay film or cinematic essay) consists of the evolution of a theme or an idea rather than a plot per se, or the film literally being a cinematic accompaniment to a narrator reading an essay. [9]
Chicago critic Roger Ebert (right) with director Russ Meyer. Film criticism is the analysis and evaluation of films and the film medium. In general, film criticism can be divided into two categories: Academic criticism by film scholars, who study the composition of film theory and publish their findings and essays in books and journals, and general journalistic criticism that appears regularly ...
Panofsky begins his essay by identifying two features that distinguish “film art” (see : art cinema) from preceding forms of art: first, film art was the only art whose beginnings were witnessed by people alive at the time of the essay’s composition (1934); second, whereas preceding arts were formed by “an artistic urge that gave rise to the discovery and gradual perfection of a new ...
The most familiar type of affective shot is of the face. The close-up. Some films, such as Dreyer's The Passion of Joan of Arc (1928) are composed from a series of close-ups, and in this way create an affection-image film. The affection-image film is therefore a film which foregrounds emotions: desires, wants, needs.
Why Man Creates is a 1968 animated short documentary film that discusses the nature of creativity. [2] It was directed by Saul Bass , who co-wrote it with Mayo Simon . It won the Oscar for Best Documentary Short Subject . [ 3 ]
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The films and television series of Kevin Smith reference Star Wars numerous times. A scene in Smith's debut film Clerks centers upon the politics and ethics of the destruction of the two Death Stars in the first trilogy, [25] which Lucas later addressed in his commentary track for Attack of the Clones. [26]