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Wyclef Jean's song "Columbia Records", track 1 from his studio album The Ecleftic 2 Sides II a Book (2000): mentions Tommy Mottola in the opening skit. In The Sopranos season 4 episode 2, No Show, Janice says “Tommy Mottola at Sony, looks like he's gonna offer us a deal." Later in the same episode Tony states "That Tommy Mottola is one slow ...
"All I Want for Christmas Is You" is a song by American singer-songwriter Mariah Carey from her fourth studio album and first holiday album, ... Tommy Mottola, ...
In what may be considered the most notable use of the phrase, a Big Band-inspired Disco collective known as Dr. Buzzard's Original Savannah Band recorded a song called "Cherchez La Femme", which was their biggest hit, peaking at #1 on the Billboard Disco chart in 1976, the year it was released.
"Side Effects" is a song by American singer and songwriter Mariah Carey from her eleventh studio album, E=MC² (2008). It was written by Carey, Scott Storch, Crystal Johnson and the song's featured artist, Young Jeezy. It was inspired by Carey's marriage to record executive Tommy Mottola and his controlling nature over her and her career. Carey ...
Answer: Tommy Mottola “On a warm summer’s evenin’ on a train bound for nowhere” is the first line of what Kenny Rogers’ song? Answer: “The Gambler”
Endless Love" is a song written by Lionel Richie and originally recorded ... Sony Music Entertainment President Tommy Mottola suggested that ... Mottola's then-wife ...
"How to Rob" is a song by American hip hop recording artists 50 Cent and Deric "D-Dot" Angelettie, released in August 1999 as the former's commercial debut single by Columbia Records. The song was intended as the lead single from the 50 Cent's debut studio album Power of the Dollar , which was ultimately shelved by the label due to ...
In the Mexican territory, the song was officially announced by Sony Music as the second single of the album. Thalía has mentioned that she dedicated the song to her husband Tommy Mottola. [1] The song debuted in Mexico's general airplay chart, gaining even more airplay than the album's first single and peaking at #1.