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Several Moogerfoogers pedals. Moogerfooger is the trademark for a series of analog effects pedals manufactured by Moog Music. There are currently eight different pedals produced; however, one of these models is designed for processing control voltages rather than audio signal. A sixth model, the Analog Delay, was released in a limited edition ...
An Ibanez DE-7 delay pedal Sound example of a plugin simulation of an analog delay (EHX Memory Man) with modulation and pitch shift. Digital delay systems function by sampling the input signal using an analog-to-digital converter. The resulting digital audio is passed through a memory buffer and recalled from the buffer a short time later.
Under the Damage Control name, the company's product line included several guitar preamps, distortions, multi-effects, [2] and delays which utilized tubes within the pedals themselves. A Strymon BigSky reverb pedal. The Strymon product line includes distortion, delay, [3] reverb, [4] chorus, [5] flanger, and compressor pedals for guitar. [6] [7]
Electro-Harmonix was founded by rhythm and blues keyboard player Mike Matthews in October 1968 in New York City with $1,000. [3] He took a job as a salesman for IBM in 1967, but shortly afterwards, in partnership with Bill Berko, an audio repairman who claimed to have his own custom circuit for a fuzz pedal, he jobbed construction of the new pedal to a contracting house and began distributing ...
A two-sided pedal with independent controls and internal DIP switches to choose between boost, overdrive, and distortion modes, Piera started building the pedals by hand in Bethel, Connecticut and selling them online under the moniker "Analog.Man." [36] The King of Tone initially sold slowly, but quickly developed a following after Piera ...
These original pedals in the series included the Dyna Comp, Distortion +, Phaser, Stereo Chorus, Stereo Flanger and Time Delay. In late 1983 MXR announced a digital sound effects pedal generator simply known as the Junior. The Junior was released in early 1984 and was added to the other six pedals in the Series 2000 line.
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In the early '80s, Boss was able to fit the circuitry of its best-selling SDE-3000 digital rack delay into the form factor of its analog DM-2 delay, branded as the DD-2 digital delay. A subsequent drop in component costs allowed the pedal to be sold for a lower price in 1986 as the rebranded DD-3, which has gone through three distinct versions ...
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