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"Believe" is a song written by Ronnie Dunn and Craig Wiseman, and recorded by American country music duo Brooks & Dunn. It was released in October 2005 as the second single from their album Hillbilly Deluxe , and it won the Country Music Association 's 2006 awards for Single of the Year, Song of the Year and Music Video of the Year. [ 1 ]
Steve Huey of Allmusic contrasts Brooks' and Dunn's voices, saying that Dunn "was the quietly intense singer with the soulful voice, while Kix Brooks played the part of the high-energy showman". [1] He also describes their sound as "a winning formula of rambunctious, rocked-up honky tonk with punchy, danceable beats [alternated with] smooth ...
"Believe" – Brooks & Dunn (Ronnie Dunn) "Believer" – Brooks & Dunn (Ronnie Dunn) "Betty's Got a Bass Boat" – Pam Tillis (Bernie Nelson) "Between the Country and the Blues" – Jesse Hunter (Carlysle Johnson, Jesse Hunter) "A Bible and a Bus Ticket Home" – Collin Raye, Confederate Railroad "Black and Whites" – Phil Vassar (Phil Vassar)
Brooks and his partner, Ronnie Dunn, were part of country music’s rocket ship ascension in the 1990s, the time of Garth, Shania, and “Achy Breaky Heart,” and a new sense of spectacle that ...
Red Dirt Road is the eighth studio album by American country music duo Brooks & Dunn, released in 2003 on Arista Nashville.Certified platinum for sales of one million copies in the U.S., the album produced three top ten singles: "Red Dirt Road" (#1 on the Hot Country Songs chart), "You Can't Take the Honky-Tonk out of the Girl" (#3) and "That's What She Gets for Lovin' Me" (#6).
"That's What It's All About" is a song written by Steve McEwan and Craig Wiseman, and recorded by American country music duo Brooks & Dunn. It was released in July 2004 as the first single from their compilation album The Greatest Hits Collection II. It reached number 2 in the United States.
Jelly Roll joins Brooks & Dunn for 'Believe' Eric Church brings Western North Carolina song 'Darkest Hour' to CMAs George Strait tribute to the 'king of country'
In the midst of recording their latest studio effort, Dunn proposed Red Dirt Road as its title, given his desire to "reel everything into a concept". [3] After a flight to Sacramento, California for their next concert, Dunn shared the song’s chorus to Brooks, written on a cocktail napkin. Both agreed it was a promising start, and boarded ...