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As a result, astronomers largely abandoned this theory of planet formation at the beginning of the 20th century. According to some, a major critique came during the 19th century from James Clerk Maxwell (1831–1879), who in some sources is claimed to have maintained that different rotation between the inner and outer parts of a ring could not ...
Prehistoric music encompasses that music which existed prior to any historical record. Ancient music extended from approximately 1500 BCE until the fall of Rome in 476 CE. Modernist, and Postmodernist music have been tacitly combined under the 20th century banner as defined by the calendar. However postmodernist music constitutes a separate era ...
The Theory and Technique of Electronic Music (2007) Max (software), Pure Data: Philip Ewell: born 1966 Music Theory and the White Racial Frame (2020) Race in music, Russian and twentieth century music, as well as rap and hip hop [218] Ellie Hisama: Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon (2007)
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Masterworks of 20th-Century Music: The Modern Repertory of the Symphony Orchestra. New York: Routledge. ISBN 978-0-415-93847-1; Pasler, Jann. 2001b. "Neo-romantic". The New Grove Dictionary of Music and Musicians, 2nd edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan. Roberts, Paul. 2008. Claude Debussy. 20th-Century ...
Mariah Carey's Merry Christmas, with its multi-platinum lead single "All I Want for Christmas Is You", which eventually becomes the nineteenth best-selling digital single of the 20th century. Beck's major-label debut, Mellow Gold. The Prodigy's Music for the Jilted Generation. 1993 in music, 1993 in British music, 1993 in Norwegian music ...
Musica reservata – Style in a cappella vocal music of the latter half of the 16th century. Musical repertoire – Collection of music pieces played by an individual musician or ensemble, composed for a particular instrument or group of instruments, voice, or choir, or from a particular period or area.
In European art music, the common practice period was the period of about 250 years during which the tonal system was regarded as the only basis for composition. It began when composers' use of the tonal system had clearly superseded earlier systems, and ended when some composers began using significantly modified versions of the tonal system, and began developing other systems as well.