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Richard and Mary Parker were created by Stan Lee and Larry Lieber.For many years before The Amazing Spider-Man Annual #5 (November 1968), there had been no explanation of why Peter Parker was being raised by his aunt and uncle, with his parents only appearing in flashbacks and photographs.
At the conclusion of the strip, Spider-Girl returns home to her parents, revealed as Peter and Mary Jane Parker, and unmasks to reveal the features of Mayday Parker. Mayday tells her parents of her experience with a "new Spider-Man", before Peter assures her that the individual she met was a past version of himself.
In issue #97 (Nov. 1998) of the second series titled Peter Parker: Spider-Man, [79] Parker learns his Norman Osborn kidnapped Aunt May and her apparent death in The Amazing Spider-Man #400 (April 1995) had been a hoax. [80] [81] Shortly afterward, in The Amazing Spider-Man (vol. 2) #13 (#454, Jan. 2000), Mary Jane is killed in an airplane ...
The Spider-Man (2002) and The Spectacular Spider-Man incarnations of Ben Parker appear in Spider-Man: Across the Spider-Verse via archival footage. A young Ben Parker appears in Madame Web (2024), portrayed by Adam Scott. [51] [52] This version is a paramedic partnered with his friend Cassie Webb and an expectant uncle.
Mary Jane Watson, as drawn by the character's co-creator John Romita Sr., on a variant cover of The Amazing Spider-Man #601 (August 2009).. Mary Jane Watson is mentioned in The Amazing Spider-Man #15 (August 1964), and is initially used as a running joke of the series, as Peter Parker's Aunt May repeatedly attempts to set her unwilling nephew up on a date with her.
What happened next is reminiscent of the story line in the 1961 romantic comedy “Parent Trap” about identical twin sisters, who devised a plan to bring their divorced parents back together.
Spider-Man (Miles Gonzalo Morales [1] / m ə ˈ r æ l ɛ s /) is a superhero and the second predominant Spider-Man to appear in American comic books published by Marvel Comics, created in 2011 by writer Brian Michael Bendis and artist Sara Pichelli, along with input by Marvel's then-editor-in-chief Axel Alonso.
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