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Aboriginal rock painting of Mimi spirits in the Anbangbang gallery at Nourlangie Rock. Mimis (or Mimih spirits [1]) are fairy-like beings of Arnhem Land in the folklore of the Aboriginal Australians of northern Australia. They are described as having extremely thin and elongated bodies, so thin as to be in danger of breaking in case of a high wind.
Depictions of the Mimih spirits is abundant in the region's rock art, and some say that the Mimih painted the art themselves to reveal their way of life. [ 6 ] Kunningbul was the first and only Maningrida artist to depict Mimih figures in sculptural form from the 1960s to the 1980s, despite the subject being a commonplace in bark paintings from ...
Mimi / Mimih (or Mimi/Mimih Spirits) inhabited and traversed the interstitial space between the physical and spiritual world during the Dreamtime and acted as Guardians of our natural world. In artwork, they are often depicted as slender, waif-like, and ethereal white figures.
Crusoe Kuningbal primarily focused his artwork on portraying the mimih. [2] Mimih spirits are tall, thin, fragile spirit beings that inhabit Arnhem Land, specifically rocky areas and act in mischievous ways. [2] In the beginning of his career as a sculptor of mimih spirits in the 1980s, they sold from $12-$50. [3]
Owen Yalandja (born 1961) is Aboriginal Australian carver, painter and singer of the Kuninjku people from western Arnhem Land, Australia.A senior member of the Dangkorlo clan, who are the Indigenous custodians of an important site related to female water spirits known as yawkyawk, Yalandja has become internationally renowned for his painted carvings of these spirits, as well as his paintings ...
Rock painting of Mimih spirits, often associated with clevermen, in Kakadu National Park. A cleverman is a traditional healer and keeper of culture in many Aboriginal cultures of Australia. [1] The roles, terms for, and abilities of a cleverman vary between different Aboriginal nations.
This piece is the perfect example of how Maralngurra incorporates local figures such as the brolga bird and the mimih spirit to further connect his artwork to his country and its inhabitants. Kunwardde Bim Kakukyime (Rock Art Style) illustrates a wide range of overlapping animals specific to his region in various shades of red, white, yellow ...
Ngalyod is an example of Nadjamerrek's art style, with X-ray and rarrk styles as well as traits unique to his art such as triangle and diamond patterns formed from singular hatching. [10] Bardayal Nadjamerrek was awarded the Telstra Work on Paper Award in the 16th National Aboriginal & Torres Strait Islander Art Awards, 1999, for his work ...