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File:Dan Henderson, Big Black and John McCarthy - E3 Expo 2010 - June 17, 2010 - Los Angeles.jpg cropped 82 % horizontally and 68 % vertically using CropTool with precise mode. File usage The following 2 pages use this file:
This is a list of black and white films that were subsequently colorized This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
Since the late 1960s, few mainstream films have been shot in black-and-white. The reasons are frequently commercial, as it is difficult to sell a film for television broadcasting if the film is not in color. 1961 was the last year in which the majority of Hollywood films were released in black and white.
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American film and television studios terminated production of black-and-white output in 1966 and, during the following two years, the rest of the world followed suit. At the start of the 1960s, transition to color proceeded slowly, with major studios continuing to release black-and-white films through 1965 and into 1966.
Spy vs. Spy is a wordless comic strip published in Mad magazine. It features two agents involved in stereotypical and comical espionage activities. One is dressed in white, and the other in black, but they are otherwise identical, and are particularly known for their long, beaklike heads and their white pupils and black sclera.
Big Black was founded by Steve Albini in 1981 during his second year of college at Northwestern University. [1] [2] [3] Albini had become a fan of punk rock during his high school years in Missoula, Montana, and taught himself to play bass guitar in the fall of 1979, his senior year, while recuperating from a badly broken leg resulting from being struck by a car while riding his motorcycle.
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