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In the play, the poem was put to music by the composer Benjamin Britten and read as a blues work. [2] Hedli Anderson, an English singer, was a lead performer in The Ascent of F6. [2] Auden decided to re-write several poems for Anderson to perform as cabaret songs, including "Funeral Blues", and was working on them as early as 1937. [3]
The play is dedicated to Auden's geologist brother John Bicknell Auden who had taken part in an expedition near the Karakoram mountain K2. [2]The play is widely regarded as an allegory of Auden's own temptation to be a public figure; this interpretation was first offered by R. G. Collingwood in The Principles of Art (1938).
Wystan Hugh Auden (/ ˈ w ɪ s t ən ˈ h juː ˈ ɔː d ən /; 21 February 1907 – 29 September 1973 [1]) was a British-American poet. Auden's poetry is noted for its stylistic and technical achievement, its engagement with politics, morals, love, and religion, and its variety in tone, form, and content.
The poem inspired Leonard Bernstein's 1949 Symphony No. 2, also known as The Age of Anxiety.. The phrase "Age of Anxiety" was used in the titles of E. R. Dodds' book Pagan and Christian in an Age of Anxiety (1965), as well as Pete Townshend's novel The Age of Anxiety (2019).
Together with his lifelong friend (and sometime lover [4]) W. H. Auden, Kallman wrote the libretto for Stravinsky's The Rake's Progress (1951). They also collaborated on two librettos for Hans Werner Henze, Elegy for Young Lovers (1961) and The Bassarids (1966), and on the libretto of Love's Labour's Lost (based on Shakespeare's play) for Nicolas Nabokov (1973).
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In more recent times anyone can request a Jazz funeral, but the musician route is still the most commonly seen today. A typical jazz funeral begins with a march by the family, friends, and a brass band from the home, funeral home, or church to the cemetery. During the funeral march, onlookers have been known to join in with the festivities of ...