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The Ancient Greek infinitive is a non-finite verb form, sometimes called a verb mood, with no endings for person or number, but it is (unlike in Modern English) inflected for tense and voice (for a general introduction in the grammatical formation and the morphology of the Ancient Greek infinitive see here and for further information see these tables).
For example, the imperfect tense ἐπαίδευον (epaídeuon) "I was teaching" is based on the present stem with the addition of the prefix ἔ-(é-) (called an "augment", see below), and the pluperfect ἐπεπαιδεύκη (epepaideúkē) "I had taught" is formed from the perfect stem:
A complication of Greek grammar is that different Greek authors wrote in different dialects, all of which have slightly different grammatical forms (see Ancient Greek dialects). For example, the history of Herodotus and medical works of Hippocrates are written in Ionic, the poems of Sappho in Aeolic, and the odes of Pindar in Doric; the poems ...
In Ancient Greek, for example, the perfect carried the meaning of a state resulting from a past action, but the PIE stative referred to the state alone. Likewise, the aorist, though having a tense-like meaning in Ancient Greek, had none in PIE. Perfective and stative verbs were effectively tenseless, or indifferent to time.
"They ate their dinner." Such accusative and infinitive constructions are present in Latin and Ancient Greek, as well as many modern languages. The atypical case regarding the implicit subject of an infinitive is an example of exceptional case-marking. As shown in the above examples, the object of the transitive verb "want" and the preposition ...
In Latin, most verbs have four principal parts.For example, the verb for "to carry" is given as portō – portāre – portāvī – portātum, where portō is the first-person singular present active indicative ("I carry"), portāre is the present active infinitive ("to carry"), portāvī is the first-person singular perfect active indicative ("I carried"), and portātum is the neuter supine.
The phrase originates from the way deity figures appeared in ancient Greek theaters, held high up by a machine, to solve a problem in the plot. "Ἀπὸ τοῦ ἡλίου μετάστηθι" — Diogenes the Cynic — in a 1763 painting by Jacques Gamelin Ἀπὸ τοῦ ἡλίου μετάστηθι. Apò toû hēlíou metástēthi.
Sē here is an accusative reflexive pronoun referring back to the subject of the main verb i.e. Iūlia ; esse is the infinitive "to be." Note that the tense of the infinitive, translated into English, is relative to the tense of the main verb. Present infinitives, also called contemporaneous infinitives, occur at the time of the main verb.