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Maximum Overdrive is a 1986 American horror film written and directed by Stephen King, in his only directorial effort. [5] The film stars Emilio Estevez, Pat Hingle, Laura Harrington, and Yeardley Smith.
Police officer George does not make it, but shoots at the trucks, causing one to tip over and become stuck. The leader truck unhooks from the trailer, kills George and gets stuck in the diner after crashing into it. Ray finds a hunting rifle in a truck's body and shoots at the truck in the diner, causing the entire structure to explode. That ...
Over the Top was released by Warner Bros. on Thursday, February 12, 1987, in New York and Los Angeles before expanding to 1,758 theaters on Friday, grossing $5.1 million over the President's Day weekend, finishing in fourth place. [1] In total, the film earned $16 million in the US and Canada. [14]
(1974), made-for-TV horror movie based on a short story of the same name by Theodore Sturgeon. Gone in 60 Seconds (1974), a film about an insurance agent who is also a professional car thief who must steal 48 vehicles over the course of five days. Herbie Rides Again (1974), second film in the Herbie series.
'Convoy' is a bad joke that backfires on the director. He has neither the guts to play the movie straight as melodrama nor the sense of humor to turn it into a kind of 'Smokey and the Bandit' comedy. The movie is a big, costly, phony exercise in myth-making, machismo, romance-of-the-open-road nonsense and incredible self-indulgence."
Gung Ho (released in Australia and New Zealand as Working Class Man) [2] is a 1986 American comedy film directed by Ron Howard and starring Michael Keaton. [3] The story portrays the takeover of an American car plant by a Japanese corporation (although the title phrase is an Americanized Chinese term).
As the retired special forces guy cleaning up nuclear debris, Joshua (John David Washington), flatly tells a fellow worker when she posits that the AIs were indeed after their jobs: “They can ...
Reviewing the movie's theatrical release in 1983, Janet Maslin wrote that Spielberg "made his mark with a film about a diabolical truck, a subject that would seem to have only limited possibilities. In fact, Mr. Spielberg's 1971 television film Duel took advantage of the very narrowness of its premise, building excitement from the most minimal ...
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