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The Cathedral of the Incarnation, located at 2015 West End Avenue in Nashville, Tennessee, is the cathedral seat of the Roman Catholic Diocese of Nashville.It is named after the mystery of the Incarnation, which celebrates the miraculous conception of Jesus in the womb of the Virgin Mary, by which God became man according to Christian teaching.
Richard Pius Miles, the first Bishop of Nashville, was the driving force behind its construction, and he is now buried there. [2] St. Mary's remained the cathedral until 1914, when the episcopal see was moved to the Cathedral of the Incarnation. The church was added to the National Register of Historic Places in 1970.
He was buried behind the altar. The church of San Nicolò was expanded into the Basilica of San Domenico between 1228 and 1240. The remains of the saint were moved in 1233 from its place behind the altar into a simple marble sarcophagus, situated on the floor in the right aisle of the church for the faithful.
It was also suggested by their cousin Cardinal Giulio de' Medici (later Pope Clement VII), commissioning Michelangelo's project for the façade for Basilica di San Lorenzo, engaging the artist in a new project for the basilica. The church had been the burial place of the Medici family for a century, but at the time there were no spaces ...
Major Eugene Castner Lewis was the director of the Tennessee Centennial Exposition and it was at his suggestion that a reproduction of the Parthenon be built in Nashville to serve as the centerpiece of Tennessee's Centennial Celebration. Lewis also served as the chief civil engineer for the Nashville, Chattanooga and St. Louis Railroad.
The Crucifixion of Saint Peter is a fresco painting by the Italian Renaissance master Michelangelo Buonarroti (c. 1546–1550). It is housed in the Cappella Paolina, Vatican Palace, in the Vatican City, Rome. It is the last fresco executed by Michelangelo.
1508 [citation needed] – Donato Bramante, apparently jealous of Michelangelo's commission, used Michelangelo's absence to convince the Pope that it is bad luck to have his tomb built during his own lifetime, and that Michelangelo's time would be better spent on the Sistine Chapel ceiling in the Vatican Palace. He, along with Michelangelo's ...
Michelangelo's two frescoes in the Cappella Paolina, The Conversion of Saul and The Crucifixion of St Peter were painted from 1542 to 1549, the height of his fame, but were widely viewed as disappointments and even failures by their contemporary audience. They did not conform to the compositional conventions of the time and the subject-matter ...