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A succession of style trends led by Christian Dior and Cristóbal Balenciaga defined the changing silhouette of women's clothes through the 1950s. Television joined fashion magazines and movies in disseminating clothing styles. [3] [4] The new silhouette had narrow shoulders, a cinched waist, bust emphasis, and longer skirts, often with wider ...
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The squaw dress could be either one or two pieces, with a two piece "dress" consisting of a skirt and a blouse. [2] They were made with cotton or calico print. [3] The skirt part of the dress is pleated, gathered or fully gathered with three-tiers. [2] [1] [4] The dresses were often colorful and incorporated rickrack as well. [5]
Rich silk weaves, such as satin, taffeta, and velvet created luxurious gowns. In the 18th century, formal dress started as the mantua, but later developed into the elaborate sack-back gown. The farthingale, popular during the 16th/17th centuries, evolved into the pannier to give dresses and skirts extra volume and the desired court silhouette.
The upper part of women's dresses in the Edwardian era included a "pigeon breast" look that gave way to a corseted waist and an s-shaped silhouette. [54] Women called their dresses "waists" if one-piece, or "shirtwaists," if it consisted of a skirt and a blouse. [55] The bodice of the dresses had a boned lining. [55]
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