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Ben Jonson: His Craft and Art (Routledge, London 2017) Rosalind Miles. Ben Jonson: His Life and Work (Routledge, London 1986) George Parfitt. Ben Jonson: Public Poet and Private Man (J. M. Dent, 1976) Richard S. Peterson. Imitation and Praise in the Poems of Ben Jonson (Routledge, 2011) David Riggs. Ben Jonson: A Life (1989) Stanley Wells.
The masque marked the début of the young Prince Charles, the future King Charles I, in the public life of the Stuart Court. Upon the death of his older brother Prince Henry in 1612, Charles had become the heir to the throne of his father, James I; but his youth and relatively poor health (he'd suffered from rickets as a child) kept Charles from assuming the kind of public prominence that ...
The masque opens with a long conversation between a poet and a cook, who represent Jonson and Jones respectively. The cook and his cookery are Jonson's satire on Jones's artistry in masque design. The poet and cook discuss their plans to represent the homecoming of Albion and his father Neptune's joy at his return from Celtiberia.
Charles Harold Herford, FBA (18 February 1853 – 25 April 1931) was an English literary scholar and critic. He is remembered principally for his biography and edition of the works of Ben Jonson in 11 volumes.
All the available evidence indicates that the play was performed by the Lord Chamberlain's Men in 1598 at the Curtain Theatre in Shoreditch, London.That date is given in the play's reprint in Jonson's 1616 folio collection of his works; the text of the play (IV,iv,15) contains an allusion to John Barrose, a Burgundian fencer who challenged all comers that year and was hanged for murder on 10 ...
The character Sogliardo, who Jonson includes in his general mockery of socially ambitious fools, is a country bumpkin, new to the city, who boasts of the coat of arms he has recently purchased, which, when he describes its colours, resembles a fool’s motley. Another character suggests Sogliardo should use the motto, "Not Without Mustard".
Sejanus His Fall was first performed by the King's Men in 1603, probably at court in the winter of that year. [1] In 1604 it was produced at the Globe Theatre.Contemporary witnesses, including Jonson, reported that the cast was greeted with heckles and hisses by their first audience at the Globe; [2] the 1604 performance was "hissed off the stage". [3]
The foremost poets of the Jacobean era, Ben Jonson and John Donne, are regarded as the originators of two diverse poetic traditions—the Cavalier and the metaphysical styles. English poets of the early seventeenth century are crudely classified by the division into Cavaliers and metaphysical poets , the latter (for example John Donne ) being ...