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Most of early American art (from the late 18th century through the early 19th century) consists of history painting and especially portraits. As in Colonial America, many of the painters who specialized in portraits were essentially self-taught; notable among them are Joseph Badger, John Brewster Jr., and William Jennys.
The oldest known paintings in the South America are the cave paintings of Caverna da Pedra Pintada, in the Brazilian Amazon rainforest that date back 11,200 years. [1] The earliest known painting in North America is the Cooper Bison Skull found near Fort Supply, Oklahoma , dated to 10,200 BCE.
Double portraits of husband and wife in the same frame, with no children or others present, are "surprisingly rare" in American colonial-era art. [4] Even during the late eighteenth century, "few sitters are portrayed as equally as the Purveses are." [5] The couple is portrayed as "equal partners on a joint enterprise" who are on intimate terms.
The Old Plantation is an American folk art watercolor probably painted in the late 18th century on a South Carolina plantation. [3] [4] [5] It is notable for its early date, its credible, non-stereotypical depiction of slaves on the North American mainland, and the fact that the slaves are shown pursuing their own interests.
Edward Hicks Painting the Peaceable Kingdom by Thomas Hicks, depicting Edward Hicks painting one of his most noted artworks. [3]In colonial America, folk art grew out of artisanal craftsmanship in communities that allowed commonly trained people to individually express themselves, distinct from the high art tradition that dominated Europe, which was less accessible and generally less relevant ...
Robert Feke (c. 1705 – c. 1752) was an American portrait painter born in Oyster Bay, New York. According to art historian Richard Saunders, "Feke’s impact on the development of Colonial painting was substantial, and his pictures set a new standard by which the work of the next generation of aspiring Colonial artists was judged."
Hannah Stockton Boudinot (1736–1808), by Matthew Pratt William Henry Cavendish-Bentinck, 3rd Duke of Portland Thomas Paine by Matthew Pratt. The American School – (1765) oil on canvas 36" x 50 1/4" this painting depicts a group of five artists/painters in the London studio of artist Benjamin West at the Metropolitan Museum of Art
In the colonial era, artists primarily created religious art and portraits, but in the 18th century, casta paintings emerged as a completely secular genre of art. An exception to that is the painting by Luis de Mena , a single canvas that has the central figure of the Virgin of Guadalupe and a set of casta groupings. [ 41 ]
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