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The rest of the Planet Express staff infiltrate the Central Bureaucracy in order to recover Bender’s mind. After bypassing several employees and security systems, the crew learns that Bender's brain is in one of an enormous pile of pneumatic tube capsules. Hermes, who has regained his love of bureaucracy, and LaBarbara return from Spa 5.
Fearing for Bender's safety, Leela suggests that Bender make up any old ending that saves him from Caboose. Bender refuses on the grounds of artistic integrity, as he still wishes to create "the best folk song in the universe". Just as he begins to add the next verse to his song, Caboose appears in his train and runs Bender down.
"The Six Million Dollar Mon" is the seventh episode in the seventh season of the American animated television series Futurama, and the 121st episode of the series overall. It originally aired on Comedy Central on July 25, 2012. The episode was written by Ken Keeler and directed by Peter Avanzino.
The bureaucrat's offices are laid out in reference to a Rubik's Cube (pictured).. From June 8 to June 15, as part of its 2010 "Countdown to Futurama" event, Comedy Central Insider, Comedy Central's news outlet, released various preview materials for the episode, including a storyboard of Bender's and Hermes' entry into the Central Bureaucracy and character designs for the war reenactment ...
Christopher Tyng (born August 5, 1968) [1] is an American composer for film and television. He composed the music for several television series, including Futurama, The O.C., The Job, Knight Rider, Suits, High Incident, and Rescue Me.
Writer Ken Keeler was nominated for an Emmy Award in 2004 for "Outstanding Music and Lyrics" for the song "I Want My Hands Back" and for an Annie Award for "Music in an Animated Television Production". [4] [7] The episode was ranked number 16 on IGN's list of the top 25 Futurama episodes in 2006. [8]
Bender hates magnets, as magnets interfere with his inhibition unit, causing him to uncontrollably start singing folk music/folk songs when near his head, and also causing him to reveal his secret ambition to be a folk singer. He once was able to attach a magnetic small faux-beard underneath his mouth without breaking into song.
John G. Nettles of PopMatters wrote: " 'Hell is Other Robots' is a terrific introduction to Bender and Futurama's irreverent humor, sly social satire, and damn catchy musical numbers." [ 13 ] TV Squad wrote that the series' funnier material appears in " Robot Hell – after Bender is 'born again' in the Temple of Robotology."