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Romeo and Juliet is a dramatization of Brooke's translation, and Shakespeare follows the poem closely but adds detail to several major and minor characters (the Nurse and Mercutio in particular). [23] [24] [25]
Romeo, a Montague, and Juliet, a Capulet, fall in love and struggle to maintain their relationship in the face of familial hatred. After Romeo kills Juliet's cousin Tybalt in a fit of passion, things fall apart. Both lovers eventually commit suicide within minutes of each other, and the feuding families make peace over their recent grief.
The film was a financial success, and earned Oscar nominations for each of Olivier as Othello, Maggie Smith as Desdemona, Frank Finlay as Iago and Joyce Redman as Emilia. [259] Subsequent critics have been less sympathetic to Olivier's performance than his contemporary audience had been, tending to read it as racist. [260]
Edmond Malone was the first scholar to construct a tentative chronology of Shakespeare's plays in An Attempt to Ascertain the Order in Which the Plays attributed to Shakspeare were Written (1778), an essay published in the second edition of Samuel Johnson and George Steevens's The Plays of William Shakespeare.
For Shakespeare, as he began to write, both traditions were alive; they were, moreover, filtered through the recent success of the University Wits on the London stage. By the late 16th century, the popularity of morality and academic plays waned as the English Renaissance took hold, and playwrights like Thomas Kyd and Christopher Marlowe revolutionised theatre.
Iago (/ i ˈ ɑː ɡ oʊ /) is a fictional character in Shakespeare's Othello (c. 1601–1604). Iago is the play's main antagonist, and Othello's standard-bearer.He is the husband of Emilia who is in turn the attendant of Othello's wife Desdemona.
Sarah Siddons as the Tragic Muse, Joshua Reynolds (1784). Sarah Siddons (1755–1831) was an esteemed performer of Shakespearean tragedy.. Shakespearean tragedy is the designation given to most tragedies written by playwright William Shakespeare.
Each work is given a single-page introduction. There are no explanatory notes, but there is a glossary at the back of the book. Two related books accompany the main volume: William Shakespeare: A Textual Companion provides comprehensive data on editorial choices for scholars of the plays, and William Shakespeare: An Old-Spelling Edition ...