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Musically, "Nuevayol" is a dembow song that makes its rhythm carry the spirit of "Tití Me Preguntó". [6] Also, at the beginning of the song, it begins with the sample of "Un Verano en Nueva York" by Andy Montañez and El Gran Combo de Puerto Rico. [7]
In 1968, Granda recorded the song in her own voice for her album, "Voz y Vena de Chabuca Granda". She was accompanied on the album by musicians, Martín Torres, Rafael Amaranto, Vicente Vásquez, and Carlos Hayre. [7] In 1973, Granda again recorded the song for her album, "Grande De América", produced for the RCA Victor label.
Lyrics in sheet music.This is a homorhythmic (i.e., hymn-style) arrangement of a traditional piece entitled "Adeste Fideles" (the original Latin lyrics to "O Come, All Ye Faithful") in standard two-staff format for mixed voices.
¡quisiera llorar ‒ quisiera morir ‒ de sentimiento! ¡Oh tierra del sol! suspiro por verte. Ahora que lejos yo vivo sin luz ‒ sin amor. Y, al verme tan solo y triste cual hoja al viento, quisiera llorar, quisiera morir de sentimiento. So far am I from the land where I was born! Immense nostalgia invades my thoughts,
Musically, "Perfumito Nuevo" is a reggaeton song. Lirically, "Perfumito Nuevo" celebrates seduction and desire in an atmosphere of mystery and novelty. The lyrics speak of the search for something new and exciting, symbolized by the 'new perfume' which represents both the literal scent and the attraction of a new connection.
Musically, "Baile Inolvidable" is a salsa song as a tribute to Puerto Rican cultural heritage. Lyrically, "Baile Inolvidable" it's more than just a love song; it's a reflection on the beauty and pain of past relationships. [7]
The song "La Llorona" is featured in the 2017 Disney-Pixar film Coco; it is performed by Alanna Ubach as Imelda Rivera and Antonio Sol in a guest appearance as Ernesto de la Cruz in the English version and Angelica Vale and Marco Antonio Solis in the Spanish version. In the film, Imelda sings the song during the sunrise concert as she attempts ...
It was disseminated as the triste by the payadores in the pampa during the nineteenth century, and, though lacking a set form, is characterized by a slow guitar introduction, melodia-recitativo with sparse accompaniment (Diccionario de la Musica Labor, ed. Higinio Angles and Juaquín Pena, Barcelona (Editorial Labor, S.A., 1954) 2143), the use ...