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An animation showing the behavior of a Leslie speaker when running. 1 = Horn enclosure 2 = Compression driver 3 = Treble motor 4 = Crossover 5 = Bass motor 6 = Woofer 7 = Drum enclosure 8 = Drum 9 = Cabinet Amplifier not pictured. The Leslie is specifically designed, via reproduction of the Doppler effect, to alter or modify sound.
Lowrey had earlier developed an attachment for a piano, adding electronic organ stops on 60 notes while keeping the piano functionality, called the Organo, first marketed in 1949 [3] as a very successful competitor to the Hammond Solovox. During the 1960s and 1970s, Lowrey was the largest manufacturer of electronic organs in the world.
Blackbirds of 1928 was a hit Broadway musical revue [1] that starred Adelaide Hall, Bill Bojangles Robinson, Tim Moore and Aida Ward, with music by Jimmy McHugh and lyrics by Dorothy Fields. It contained the hit songs "Diga Diga Do", the duo's first hit, " I Can't Give You Anything But Love ", "Bandanna Babies" and "I Must Have That Man" all ...
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The SDS-3 featured four drum channels and a noise generator; [2] [3] the SDS-4 was a functionally similar two-channel version. [3] At this juncture, the drum pads were round, with wooden frames and real 8-inch drum heads. [4] Musicaid was also the distributor for the Lyricon wind synthesizer as played by John L. Walters of Landscape.
Danger music is an experimental form of avant-garde 20th- and 21st-century music and performance art. It is based on the concept that some pieces of music can or will harm either the listener or the performer, understanding that the piece in question may or may not be performed. [ 2 ]
Donald James Leslie (April 13, 1911 – September 2, 2004) was an American inventor best known for the Leslie speaker and its distinctive effect commonly used with the Hammond organ which helped popularize electronic instruments.
The musical opened on 3 June 1963 at the Palace Theatre, Manchester prior to the West End premiere on 4 July 1963 at the Saville Theatre and closed on 27 February 1965 following 694 performances. [1] Peter Coe directed, choreography was by Leo Kharibian, scenic design was by Sean Kenny and costumes were by Roger K. Furse .
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