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Portrait of Madame Cezanne in a Striped Robe: 1883-85 56.5 x 47 cm Yokohama Museum of Art: V 229 R 536 FWN 466 Portrait of Madame Cezanne: 1883-85 46.4 x 38.4 cm Philadelphia Museum of Art: V 526 R 532 FWN 468 Portrait of the Artist's Son: 1883-85 19.5 x 11.5 cm Von der Heydt Museum, Wuppertal V 536 R 534 FWN 469 Bathers Outside a Tent: 1883 ...
Still Life with Apples and Oranges (French: Nature morte aux pommes et aux oranges) is a still-life oil painting dating from c. 1899 by the French artist Paul Cézanne.It is currently housed at the Musée d'Orsay in Paris.
In The Eternal Feminine, by contrast, Cézanne places the woman in the center of the canvas, and she displays her body with no shame, unlike the woman in Courbet's painting, who holds a drape to partially cover her body. Cézanne's painting nonetheless resembles Courbet's composition in dividing the figures into a left and right group.
Paul Cézanne (/ s eɪ ˈ z æ n / say-ZAN, UK also / s ɪ ˈ z æ n / siz-AN, US also / s eɪ ˈ z ɑː n / say-ZAHN; [1] [2] French: [pɔl sezan]; 19 January 1839 – 22 October 1906) was a French Post-Impressionist painter whose work introduced new modes of representation and influenced avant-garde artistic movements of the early 20th century, whose work formed the bridge between late 19th ...
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The portrayal of nude women in an idealised setting is reminiscent of classical scenes of semi-nude figures, such as those portrayed in Venetian Renaissance art. [ 1 ] The artist Henri Matisse was a great admirer of Three Bathers and considered it to be a work of great importance.
The Overture to Tannhäuser is an 1869 oil-on-canvas painting by Paul Cézanne, now in the Hermitage Museum in Saint Petersburg. [1] It came from the Moscow collection of Ivan Morozov . The painting shows two women, usually identified as Cézanne's sisters but possibly the daughters of his uncle Dominique Aubert, at the Cézanne family home ...
The Basket of Apples (French: Le panier de pommes) is a still-life oil painting by French artist Paul Cézanne, which he created c. 1893. The painting rejected naturalistic representation in favor of distorting objects to create multiple perspectives. This approach eventually influenced other art movements, including Fauvism and Cubism.
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